Huh.

Well, I certainly didn't see that coming.

I've been promising to post my thoughts about the Reason 6 upgrade for a couple of months now, but for some reason, haven't been able to find the time I've needed to sit down and articulate my opinion. I think it boils down to a confusing mix of excitement and disappointment.

On the one hand, I've been wanting an advanced delay unit in Reason for a few years now. The DDL-1 is probably the most used effect unit in my own tracks, but having access to others delay plug-ins via VSTs or AUs in Logic or Renoise, I've found the trusty, half-rack device wanting at times. Of course, with Reasons rack wiring, you should be able to create any sort of delay you want, but I'll still be welcoming The Echo with wide-open arms come September 30th.

The Alligator Triple Filtered Gate looks interesting and profoundly powerful, but looking at the video, I'm confident that I won't truly "get it" until I have it in my rack and I've twisted a few virtual knobs.

The Pulveriser Demolution Unit looks like a lot of fun, so it should be an interesting upgrade, as well.

Still, there are aspects of the upgrade that make me shake my head a little, specifically the merging of Record with Reason, a product that I've enjoyed quite a bit and I feel wasn't really given time to prove itself.

Its a smart decision, of course. The field of music production software is already confusing, so selling two programs that in many ways feel identical probably wasn't the best tactic for increasing brand awareness or possibly even brand loyalty. Many people felt that Record's biggest feature, the ability to record and edit audio, should have just been included in Reason and with Reason 6 they're getting their wish. But, for those of us who bought into Record and its aluminum dongle, it does feel a little bit like I paid money to be a beta tester.

That probably sounds a little more melodramatic than I intend, but in this case, those skeptical few who didn't purchase Record are actually being rewarded for their patience. The upgrade to Reason 6 for non-Record users, while a bit more expensive than the upgrade path for Reason/Record, saves them money over the path I took, which was to purchase Record (for Reason Users) when it was released. Of course, its not a huge amount, but principal often gets stuck in the throat worse than specifics.

I know, I know, I've had more time to enjoy the Record devices, so maybe that was worth the extra few dollars I paid to the folks at Propellerheads. I've paid them money for things I didn't need in the past (the Electro-Mechanical Refill disc is a great example, considering I already downloaded it for free when I purchased it), so I guess this shouldn't be any different, but I'm still somewhat disappointed in the death of Record.

Maybe that's why the recent announcement put a smile on my face. Don't get me wrong, I'll likely pay at least as much as I would have for the physical upgrade, but having the option to change that, to get back those few dollars I lost in chasing them down the tangled path of unsupported software, is a profound act of goodwill on the part of our fearless, Swedish software leaders. It feels a little like an apology, but even more, feels like a thank you, which is why I applaud Propellerheads' Pay What You Want scheme.

I suppose my only real conflict now stems from whether or not I want the box. If I'm going to pay the same price for a download as I would for yet another box, do I actually want the box on my shelf? Given that I have all of my other Reason boxes, volumes 1 through 5, on the shelf, along with Record and Recycle, it almost seems like a shame not to get a box for the latest release, even if it is a little less eco-friendly.

The Countdown Has Begun....

The 2nd Annual PAD Challenge has begun! Start those tracks and get them to me. You have have one week!

The deadline is Sunday, September 25th!

2nd Annual PAD Challenge: 2nd Update

We have a couple of additional participants in this year's PAD Challenge who have volunteered:

• Nikolai
  
• DJ Mad Wax
  
• THP808
  
• robbneu (me)
  

Thanks for joining in on the fun, guys. I'm really looking forward to your songs!

I think what we'll do is set the deadline for signing up for this Friday, September 16th. So, if you're reading this now and think you might be interested, you're still welcome to join in. Drop a note in the comments or send me an email. Following that, you'll have one week to create something new, so get me your completed songs by September 23rd.

As I stated, and Nikolai reiterated in his comment, this should be a low stakes, low stress experience, with some good natured encouragement and hopefully some constructive criticism when its all over. At worst, you'll come away from it with a completed song. At best, you'll come away from it with a completed song you're proud of. The goal is just to jump in with both feet and accomplish something.

The 2nd Annual PAD Challenge... Update

So, I originally said the deadline for the PAD Challenge was the weekend, but that deadline has come and gone, with just Nikolai tossing his hat into the ring. While I have no doubt that Nikolai will manage to create enough songs in a week to fill several challenges, I thought I'd leave the window open for a little while longer.

So, check in if you want to join this year's Challenge!

Announcing The 2011 PAD Challenge

It's time. Actually, if you've taken a few minutes to read the rant I posted well over a month ago, its past time. So, with little fanfare, but much expectation (at least from me), I'm announcing the 2011 PAD Challenge.

If you're new to the blog and wasn't able to follow along with last year's PAD Challenge, the concept is pretty simple. Basically, the challenge piece of the PAD Challenge is to write and finish a new song in just one week. Last year, the stipulation was that you needed to try a song in a genre or style you don't normally work in. For example, I choose to put together a straight up dance track, but I thought we'd keep things a little more open this year. So, the goal is just to create a track. That's it.

So, who is with me? You have until this weekend to decide if you want to participate, then after that, one week to put together a new track. Please use at least one patch from the blog, and send me an email with a link to your track, or the track itself, and I'll share the results here on the blog.

This was a lot of fun last year and I for see this year's Challenge being even more successful, so leave a comment if you plan to join in.

Essential Music Making Gear: AppleTV

Okay, okay, I'll admit it: I can be something of a Luddite in certain respects and have spent years ignoring the phenomenon of YouTube tutorials. I know, it's a little ridiculous, but I've always felt more comfortable following along with tutorials when I'm reading them from a book or a magazine. Its how I originally learned to use Reason almost a decade ago and tends to be the same way I learn the ins-and-outs of any new Reason device following one of the major upgrades.

That said, I've had a 2nd generation AppleTV for a while now, and have slowly been using it to view YouTube more and more, enjoying the opportunity to watch clips online from the comfort of my couch, rather than sitting in front of my computer. The videos posted by Propellerheads have been a blast,from various artist interviews to the slick new promotional commercials, as well as the excellent series of tutorials put together by James Benard as part of his 52 Weeks of Reason campaign.

Of course, Propellerheads Software isn't the only entity posting Reason entertaining and informative tutorials on YouTube. I have subscriptions to videos from a number of the Reason community's big names, such as the always excellent tutorials posted by Reason 101, Ned Rush, Lucky Date Videos, Peff, and Boy In A Band, effectively giving me "Reason TV" at the touch of a remote button.

How is this better than just watching videos on my computer screen? Well, in truth, its not, but I don't really have the patience for watching YouTube on my computer. When I'm sitting at my computer, which isn't as often as I would like, I tend to be focused on putting together patches for this blog, working on music of my own, or doing the day-to-day grunt work that has become necessary in our modern life. With the AppleTV, I can start up a video while folding some laundry, cooking, or doing something else that doesn't always require my full attention. And, if the tutorial is especially good or interesting, I can grab my laptop and "play along" from the comfort of my couch.

Not only have the tutorials I've enjoyed been full of interesting tips and rare glimpses into other people's workflows that I always appreciate, they've been inspirational. Something about seeing other people at work in Reason makes me want to work in Reason, so during my two week break a couple of months ago, I spent a lot of time soaking in wisdom and energy from these videos, picking up the occasional tip, but also excitement.

So, while something like an AppleTV isn't an obvious piece of essential "music making" gear, I've found it to be an excellent addition to my modest "studio." If you have an internet box like the AppleTV, I urge you to set up some subscriptions, and experience Reason away from the computer. I think you'll find it as energizing as I have.

This post isn't meant to be an advertisement for Apple. Regardless of my computer choices, I don't really consider myself a fanboy, nor do I believe that Apple always provides the best product and features. Roku has a line of competing boxes that have many of the advantages of Apple's internet TV box and many more, although YouTube access has been temporarily suspended (there is still Vimeo). Google and Boxee have boxes of their own as well. So, if this is something you're interested in, do a little research and figure out what works best for your setup and needs.

Bragware Report: Imprecations, by Ceo1 & Abandoned Orchard, by Nikolai Bonamente

Probably the most rewarding feedback I receive from Reason Patch A Day is when readers send me emails to share what they've created with the patches posted here. Recently, French artist Ceo1 sent me an email to share a new track that he created using only patches that had been posted during the blog's first few months, back in 2008.

Ceo1 explains:

I like from time to time to write songs under rules (like with only one refill bank, only with a piano, etc.). Often, having rules enables me to focus more on the feel of the piece, rather than wandering through my 10,000 refills (note : I don't actually have 10,000 refills, but you catch my drift).

So, I did it like this with your instruments: I tried them all and felt what could inspire me and started from there to develop a theme. I hit a wall with the 2008 instruments, because even though I find them very neat sounding and inspiring to me, they were a bit similar. Don't get me wrong, I love them, but I felt they were in the same category of dark pads or something like that (besides the Paper Towel Tube, of course).

In the end I like what I've done with it, but I'm pretty sure that I can do something maybe better with your other sounds, which I have to try, and that's a whole lot more!

Ceo - Imprecations by Ceo1

As Ceo1 explained to me, the patches used in Imprecations were: Ancient Tongue, John Carpenter, Dreary Chorus, Ice Age, Paper Towel Tube, the Yamaha RX 11 samples, Ominous Cloud, Under Emergency Power, and Vocode - Creese

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You may remember the name of long time reader Nikolai Bonamente, formerly 1.44MB, who has shared a number of songs here on Reason Patch A Day, stretching back to his two tracks that were a part of the original PAD Challenge in August of 2010.

I've had the pleasure of exchanging more than a few emails with Nikolai over the last year and have been following him on Soundcloud as well. I've been impressed with his ability to crank out the tunes. He seems to turn them out faster than I can listen to them, but I thought I'd highlight one of his more recent tunes, a song called Abandoned Orchard that he posted a couple of months ago.

Abandoned Orchard uses the Rectification patch and might be my favorite track Nikolai has produced. He describes it by saying:

With Abandoned orchard I started off with the bass - playing with it's distortion was very pleasing to my ear - I'd had a few bars lying around for while and then along came the strings which seemed like a really good fit.

You can hear Abandoned Orchard here:

Abandoned orchard by Nikolai Bonamente

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Thank you both, Ceo1 and Nikolai Bonamente, for sharing your tracks with me and the readers here on Reason Patch A Day. If anyone has any constructive comments or criticism to offer, please leave them on either Ceo1 or Nikoali's Soundcloud pages, or feel free to leave them a note here in the comments.

If you have a track of your own that you'd like to highlight on the blog, please send me an email with a link to your track and a description, so I can post it here. I'm always eager to hear what's being done with the patches shared here, so I'd love to hear from you.